✎✎✎ Napoleon Bonaparte Character Analysis

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Napoleon Bonaparte Character Analysis

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Why was Napoleon so Successful?

The l one and l evel s ands s tretch line The full rhymes and slant rhymes of the short vowel a are also an important factor in the overall sound of this sonnet. Take a note of their prevalence:. What this does is produce a harsh almost cutting edge to some lines which is offset by the regular use of punctuation, causing the reader to pause. For example, in lines :. So whilst the regular rhythm persists, the pauses, punctuation and enjambment help vary the pace and bring interest for the reader and listener. The mysterious ending adds to the atmosphere - all that history, the works, the dreams of a people, the fall of a once great empire. Marine Biology. Electrical Engineering. Computer Science. Medical Science. Writing Tutorials. Performing Arts.

Visual Arts. Student Life. Vocational Training. Standardized Tests. Online Learning. Social Sciences. Legal Studies. Political Science. Welcome to Owlcation. Related Articles. By Sourav Rana. By Amara. By Doug West. By Paul Richard Kuehn. By Howard Allen. By JC Scull. By artsofthetimes. Ultimately, these acts led to the rise of Maximilien de Robespierre and what became, essentially, the dictatorship of the Committee of Public Safety. The years of and came to be known as the Reign of Terror , in which many as 40, people were killed. Eventually the Jacobins fell from power and Robespierre was executed. In , the Directory the French Revolutionary government took control of the country, a power it would it assume until After falling out of favor with Robespierre, Napoleon came into the good graces of the Directory in after he saved the government from counter-revolutionary forces.

For his efforts, Napoleon was soon named commander of the Army of the Interior. In addition, he was a trusted advisor to the Directory on military matters. In , Napoleon took the helm of the Army of Italy, a post he'd been coveting. The army, just 30, strong, disgruntled and underfed, was soon turned around by the young military commander. Under his direction, the reinvigorated army won numerous crucial victories against the Austrians, greatly expanded the French empire and squashed an internal threat by the royalists, who wished to return France to a monarchy. All of these successes helped make Napoleon the military's brightest star. Napoleon's image - and that of France - were greatly harmed by the loss, and in a show of newfound confidence against the commander, Britain, Austria, Russia and Turkey formed a new coalition against France.

In the spring of , French armies were defeated in Italy, forcing France to give up much of the peninsula. In October, Napoleon returned to France, where he was welcomed as a popular military leader. Following his return to France, Napoleon participated in an event known as the Coup of 18 Brumaire, a bloodless coup d'etat that overthrew the French Directory. The Directory was replaced by a three-member consulate after a series of political and military machinations orchestrated in large part by Napoleon's brother Lucien Bonaparte. Additionally, with the Treaty of Amiens in , the war-weary British agreed to peace with the French although the peace would only last for a year. Napoleon then returned to war with Britain, Russia and Austria.

In , the British registered an important naval victory against France at the Battle of Trafalgar , which led Napoleon to scrap his plans to invade England. Instead, he set his sights on Austria and Russia, and beat back both militaries in the Battle of Austerlitz. Other victories soon followed, allowing Napoleon to greatly expand the French empire and paving the way for loyalists to his government to be installed in Holland, Italy, Naples, Sweden, Spain and Westphalia. On March 21, , Napoleon instituted the Napoleonic Code, otherwise known as the French Civil Code, parts of which are still in use around the world today. The Napoleonic Code forbade privileges based on birth, allowed freedom of religion, and stated that government jobs must be given to the most qualified.

The Napoleonic Code followed Napoleon's new constitution, which created the first consul — a position which amounted to nothing less than a dictatorship. Following the French Revolution, unrest continued in France; in June of , a coup resulted in the left-wing radical group, the Jacobins, taking control of the Directory. Working with one of the new directors, Emmanuel Sieyes, Napoleon hatched plans for a second coup that would place the pair along with Pierre-Roger Ducos atop a new government called the Consulate. With the new guidelines, the first consul was permitted to appoint ministers, generals, civil servants, magistrates and even members of the legislative assemblies.

Napoleon would, of course, be the one who would fulfill the first consul's duties. Additionally, in an effort to stem the tide of increasing industrialization, many of the Romanticists emphasized the individual's connection to nature and an idealized past. Fuseli's strange and macabre painting depicts a ravished woman, draped across a divan with a small, hairy incubus sitting on top of her, staring out menacingly at the viewer.

A mysterious black mare with white eyes and flaring nostrils appears behind her, entering the scene through lush, red curtains. We seem to be looking at the effects and the contents of the woman's dream at the same time. Fuseli's ghastly scene was the first of its kind in the midst of The Age of Reason, and Fuseli became something of a transitional figure.

While Fuseli held many of the same tenets as the Neoclassicists notice the idealized depiction of the woman , he was intent on exploring the dark recesses of human psychology when most were concerned with scientific exploration of the objective world. When shown in at London's Royal Academy exhibition, the painting shocked and frightened visitors. Unlike the paintings the public was used to seeing, Fuseli's subject matter was not drawn from history or the bible, nor did it carry any moralizing intent.

This new subject matter would have wide-ranging repercussions in the art world. Even though the woman is bathed in a bright light, Fuseli's composition suggests that light is unable to penetrate the darker realms of the human mind. The relationship between the mare, the incubus, and the woman remains suggestive and not explicit, heightening the terrifying possibilities.

Fuseli's combination of horror, sexuality, and death insured the image's notoriety as a defining example of Gothic horror, which inspired such writers as Mary Shelly and Edgar Allan Poe. The Ancient of Days served as the frontispiece to Blake's book, Europe a Prophecy , which contained 18 engravings. This image depicts Urizen, a mythological figure first created by the poet in to represent the rule of reason and law and influenced by the image of God described in the Book of Proverbs as one who "set a compass upon the face of the earth. Blake combines classical anatomy with a bold and energetic composition to evoke a vision of divine creation. Blake eschewed traditional Christianity and felt instead that imagination was "the body of God.

Europe a Prophecy reflected his disappointment in the French Revolution that he felt had not resulted in true freedom but in a world full of suffering as reflected in England and France in the s. Little known during his lifetime, Blake's works were rediscovered by the Pre-Raphaelites at the end of the 19 th century, and as more artists continued to rediscover him in the 20 th century, he has become one of the most influential of the Romantic artists.

This painting depicts Napoleon I, not yet the Emperor, visiting his ailing soldiers in in Jaffa, Syria, at the end of his Egyptian Campaign. His troops had violently sacked the city but were subsequently stricken in an outbreak of plague. Gros creates a dramatic tableau of light and shade with Napoleon in the center, as if on a stage. He stands in front of a Moorish arcade and touches the sores of one of his soldiers, while his staff officer holds his nose from the stench. In the foreground, sick and dying men, many naked, suffer on the ground in the shadows. A Syrian man on the left, along with his servant who carries a breadbasket, gives bread to the ill, and two men behind them carry a man out on a stretcher.

While Gros' teacher Jaques Louis David also portrayed Napoleon in all of his mythic glory, Gros, along with some of David's other students, injected a Baroque dynamism into their compositions to create a more dramatic effect than David's Neoclassicism offered. Gros' depiction of suffering and death, combined with heroism and patriotism within an exotic locale became hallmarks of many Romantic paintings.

The use of color and light highlights Napoleon's gesture, meant to convey his noble character in addition to likening him to Christ, who healed the sick. Napoleon commissioned the painting, hoping to silence the rumors that he had ordered fifty plague victims poisoned. The work was exhibited at the Salon de Paris, its appearance timed to occur between Napoleon's proclaiming himself as emperor and his coronation. Content compiled and written by Rebecca Seiferle. Edited and revised, with Summary and Accomplishments added by Valerie Hellstein.

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