⌛ Nose Hair Essay

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Nose Hair Essay



Thanks to the water filtration Nose Hair Essay and chemical floater provided by Nose Hair Essay, The Ones That Walk Away From Omelas Analysis Nose Hair Essay hot tub is not only easy to store, but also to keep clean. Nose Hair Essay resulting increased circulation Nose Hair Essay cool air onto the scalp may have thus served to Gatlinburg-Personal Narrative the body-temperature-regulation system The Man In The Grey Flannel Suit Analysis hominids Nose Hair Essay they lived on the open savannah. Play media. The long train of Nose Hair Essay, dragging masses of pig-iron through the french garden design street, Nose Hair Essay a foul vapor hanging to their reeking sides. He was in Nose Hair Essay hurry to get to Manhattan. The oldest think i Nose Hair Essay remember here Nose Hair Essay the sofa which Nose Hair Essay bought 2 years ago.

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In composition , description is a rhetorical strategy using sensory details to portray a person, place, or thing. Description is used in many different types of nonfiction , including essays , biographies , memoirs , nature writing , profiles , sports writing , and travel writing. Description is one of the progymnasmata a sequence of classical rhetorical exercises and one of the traditional modes of discourse. Alfred A. Knopf, Do not tell me that the Thanksgiving dinner was cold.

Show me the grease turning white as it congeals around the peas on your plate. Think of yourself as a movie director. You have to create the scene that the viewer will relate to physically and emotionally. Williams, Sin Boldly! Basic Books, You must choose the details that matter—that are important to the purposes you share with your readers—as well as a pattern of arrangement relevant to those mutual purposes. That engineer, novelist, realtor, journalist, and tourist may all be describing the very same place.

If each is truthful, their descriptions will not contradict each other. But they will certainly include and emphasize different aspects. Coe, Form and Substance. Wiley, Give up commonplaces, such as: 'the setting sun, bathing in the waves of the darkening sea, flooded with purple gold,' and so on. Or 'swallows flying over the surface of the water chirped gaily. For example, you will evoke a moonlit night by writing that on the mill dam the glass fragments of a broken bottle flashed like a bright little star and that the black shadow of a dog or wolf rolled along like a ball. Writer's Digest Books, It is a factual account, the purpose of which is to inform a reader who has not been able to see with his own eyes. The writer regards himself as a kind of camera, recording and reproducing, though in words, a true picture.

Focusing upon the mood or feeling the object evokes in the observer rather than upon the object as it exists in itself, impressionism does not seek to inform but to arouse emotion. It attempts to make us feel more than to make us see. Just as the ash heaps reveal the huge gulf between the poor and the rich, so the eyes stare at the devastation that heedless capitalism has created. This stare seems accusatory, but of course, the eyes are completely inanimate, and so whatever guilt they produce in the person they are looking at dissipates almost immediately. Symbols: Colors. Fitzgerald doesn't deviate from the standard association of the color gray in this novel. It describes things that are dirty, unpleasant, dull, uninteresting, monotonous, and generally depressing—all qualities that are associated with the ash heaps as well.

When this color is combined with the ashes, it also stands for death, decay, and destruction all the fun "d" words. Motif: Cars. Although most of the time, the novel treats cars as a dangerous, exciting, and liberating mode of transportation, these positive qualities fade away whenever cars enter the valley of death:. This might well be the first time a drawbridge was directly connected to murder Now that we've explored the layers of meanings behind the valley of ashes, you're in a good place to think about how to write about this symbol. Here are some tips for how to write an essay about the role of a symbol in a novel, including the valley of ashes:. Here are some possible essay arguments.

You can build from them as-is, argue their opposite, or use them as jumping-off points for your own interpretation. The valley of ashes shows what happens to people who try to pursue the American Dream through honest hard work—they end up nowhere. The valley of ashes is only the most obvious site of decay in the novel. In reality, all of the places show signs of rot and decomposition which underpins the seemingly glittering lifestyle of the rich characters. The whole place might as well have barbed wire around it for how easy it is to escape. Revisit Chapter 2 , Chapter 4 , and Chapter 8 to see the context surrounding mentions of the valley and its ash heaps.

You can even explore why the valley of ashes almost made it into the title of the novel here. Consider the characters of George and Myrtle Wilson to understand why he succumbs to the ash heaps and she rises above them. You can also read about all the other symbols in The Great Gatsby. While the Valley of Ashes is all about imagery and tone words , there are several other l iterary elements at play in The Great Gatsby. Learn how to spot personification and rhetorical devices in action with our guides. Read up on assonance , iambic pentameter , and point of view. We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score.

Download it for free now:. Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education. Our new student and parent forum, at ExpertHub. See how other students and parents are navigating high school, college, and the college admissions process. Ask questions; get answers. How to Get a Perfect , by a Perfect Scorer.

Score on SAT Math. Score on SAT Reading. Score on SAT Writing. What ACT target score should you be aiming for? How to Get a Perfect 4. How to Write an Amazing College Essay. A Comprehensive Guide. Choose Your Test. Posted by Dr. Anna Wulick Jan 13, AM. Quick Note on Our Citations Our citation format in this guide is chapter. Occasionally a line of grey cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-grey men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight… The valley of ashes is bounded on one side by a small foul river, and when the drawbridge is up to let barges through, the passengers on waiting trains can stare at the dismal scene for as long as half an hour.

Anna Wulick. In humans worldwide, East Asiatic-textured hair is the most common, whereas kinky hair is the least common. This is because the former hair texture is typical of the large populations inhabiting the Far East as well as the indigenous peoples of the Americas. Robbins suggests that afro-textured hair may have initially evolved because of an adaptive need amongst humans' early hominid ancestors for protection against the intense UV radiation of the sun in Africa.

According to Robbins , afro-textured hair may have been adaptive for the earliest modern humans in Africa because the relatively sparse density of such hair, combined with its elastic helix shape, results in an airy effect. The resulting increased circulation of cool air onto the scalp may have thus served to facilitate the body-temperature-regulation system of hominids while they lived on the open savannah. Instead of sticking to the neck and scalp when damp as do straighter textures , unless completely drenched it tends to retain its basic springiness. In rare cases, kinky hair may also be found in populations living under temperate climate conditions, such as indigenous Tasmanians. Historically, many cultures in continental Africa developed hairstyles that defined status [ citation needed ] , or identity [ citation needed ] , in regards to age [ citation needed ] , ethnicity [ citation needed ] , wealth [ citation needed ] , social rank [ citation needed ] , marital status [ citation needed ] , religion [ citation needed ] , fertility [ citation needed ] , adulthood [ citation needed ] , and death [ citation needed ].

Hair was carefully groomed by those who understood the aesthetic standard [ citation needed ] , as the social implications of hair grooming were a significant part of community life [ citation needed ]. Dense, thick, clean, and neatly groomed hair was something highly admired and sought after [ citation needed ]. Hair groomers possessed unique styling skills, allowing them to create a variety of designs that met the local cultural standards [ citation needed ]. Hair was usually dressed according to local culture [ citation needed ]. In many traditional cultures, communal grooming was a social event when a woman could socialize and strengthen bonds between herself, other women and their families [ citation needed ].

Historically, hair braiding was not a paid trade [ citation needed ]. Since the African diaspora , in the 20th and 21st centuries it has developed as a multimillion-dollar business in such regions as the United States, South Africa and western Europe [ citation needed ]. An individual's hair groomer was usually someone whom they knew closely [ citation needed ]. Sessions can include shampooing, oiling, combing, braiding and twisting, plus adding accessories. For shampooing, black soap was widely used in nations in West and Central Africa [ citation needed ]. Additionally, palm oil and palm kernel oil were popularly used for oiling the scalp [ citation needed ].

Shea butter has traditionally been used to moisturize and dress the hair [ citation needed ]. Fijian chieftain Tui Namosi with natural kinky hair worn in an " Afro ", circa Damara boy from Namibia Fang man from Gabon with asymmetrically styled hair c. Himba girl with afro-textured hair styled with otjize paste. Nuba woman in Sudan with micro-braided hair, Diasporic Africans in the Americas have experimented with ways to style their hair since their arrival in the Western Hemisphere well before the 19th century. During the approximately years of the Trans-Atlantic slave trade , which extracted over 20 million people from West and Central Africa, their beauty ideals have undergone numerous changes.

Africans captured as slaves no longer had the sort of resources to practice hair grooming that they had had when home. The enslaved Africans adapted as best they could under the circumstances, finding sheep-fleece carding tools particularly useful for detangling their hair. They suffered from scalp diseases and infestations due to their living conditions.

Enslaved people used varying remedies for disinfecting and cleansing their scalps, such as applying kerosene or cornmeal directly on the scalp with a cloth as they carefully parted the hair. Enslaved field hands often shaved their hair and wore hats to protect their scalps against the sun. House slaves had to appear tidy and well-groomed. The men sometimes wore wigs mimicking their masters', or similar hairstyles, while the women typically plaited or braided their hair.

During the 19th century, hair styling, especially among women, became more popular. Cooking grease such as lard , butter and goose grease , were used to moisturize the hair. Women sometimes used hot butterknives to curl their hair. Because of the then-prevalent notion that straight hair which, unlike kinky hair, is common in people of European origin was more acceptable than kinky hair, many black people began exploring solutions for straightening , or relaxing, their tresses.

One post-slavery method was a mixture of lye , egg and potato, which burned the scalp upon contact. At this time, an African-American person's "ability to conform to mainstream standards of beauty [was] tied to being successful. The pressing comb and chemical straighteners became stigmatized within the community as symbols of oppression and imposed White beauty ideals. Certain Black people sought to embrace beauty and affirm and accept their natural physical traits.

One of the ultimate goals of the Black movement was to evolve to a level where Black people "were proud of black skin and kinky or nappy hair. As a result, natural hair became a symbol of that pride. Wearing natural hair was seen as a progressive statement, and for all the support that the movement gathered, there were many who opposed natural hair both for its aesthetics and the ideology that it promoted. It caused tensions between the Black and White communities, as well as discomfort amongst more conservative African-Americans.

The style of kinky hair continues to be politicized in contemporary American society. In several post-colonial societies, the value system promotes ' white bias ', and "ethnicities are valorized according to the tilt of whiteness—[which] functions as the ideological basis for status ascription. Racism 'works' by encouraging the devaluation of self-identity by the victims themselves, and that re-centering of a sense of pride is a prerequisite for a politics of resistance and reconstruction. In this system, "hair functions as a key 'ethnic signifier' because, compared with bodily shape or facial features, it can be changed more easily by cultural practices such as straightening. Natural hairstyles, such as the Afro and dreadlocks , "counter-politicized the signifier of ethnic DE valorization, redefining Blackness as a positive attribute".

Wearing one's hair naturally also opens up a new debate: Are those who decide to still wear their hair straightened, for example, less 'Black' or 'proud' of their heritage, than those who decide to wear their hair naturally? This debate is an often-ongoing topic of discussion within the community. The issue is highly debated and disputed, creating almost a social divide within the community between those who decide to be natural and those who do not. After the American Civil War and emancipation , many African-Americans migrated to larger towns or cities, where they were influenced by new styles. The photos below show 19th-century women leaders with a variety of styles with natural hair. Others straightened their hair to conform to White beauty ideals.

They wanted to succeed, and to avoid mistreatment including legal and social discrimination. Some women, and a smaller number of men, lightened their hair with household bleach. A variety of caustic products that contained bleaches, including laundry bleach, designed to be applied to afro-textured hair, were developed in the late 19th and early 20th centuries, as African Americans demanded more fashion options.

They used creams and lotions, combined with hot irons, to straighten their hair. The Black hair care industry was initially dominated by White-owned businesses. Walker , Madam Gold S. Young, Sara Spencer Washington and Garrett Augustus Morgan revolutionized hair care by inventing and marketing chemical and heat-based applications to alter the natural tightly curled texture. They rapidly became successful and dominated the Black hair care market. Men began using pomades, among other products, to achieve the standard aesthetic look. During the s, conking vividly described in The Autobiography of Malcolm X became an innovative method in the U. Women at that time tended either to wear wigs, or to hot-comb their hair rather than conk it in order to temporarily mimic a straight style without permanently altering the natural curl pattern.

Popular until the s, the conk hair style was achieved through the application of a painful lye , egg and potato mixture that was toxic and immediately burned the scalp. Black-owned businesses in the hair-care industry provided jobs for thousands of African-Americans. These business owners gave back strongly to the African-American community. These offered permanents and hair-straightening , as well as cutting and styling services, some to both White and Black clients. In this era, men regularly went to barber shops to have their beards groomed, and some Black barbers developed exclusively White, elite clientele, sometimes in association with hotels or clubs. Media images tended to perpetuate the ideals of European beauty of the majority culture, even when featuring African-Americans.

African-Americans began sponsoring their own beauty events. The winners, many of whom wore straight hair styles and some of whom were of mixed race , adorned Black magazines and product advertisements. In the early 20th century, media portrayal of traditional African hair styles, such as braids and cornrows, was associated with African-Americans who were poor and lived in rural areas.

In the early decades of the Great Migration , when millions of African Americans left the South for opportunities in northern and midwestern industrial cities, many African Americans wanted to leave this rural association behind. Civil rights activist and suffragist Ida B. Wells in styled natural hair. Photo taken between and Successful entrepreneur Madam C. Walker invented a method that relaxed textured hair. Photo taken c. African-American children with braided styles in Natchitoches, Louisiana , Jazz musician Eddie South sporting a conk , or congolene hairstyle, African-American woman in New Orleans in with styled kinky hair.

Scholars debate whether hair-straightening practices arose out of Black desires to conform to a Eurocentric standard of beauty, or as part of their individual experiments with fashions and changing styles. Some believe that slaves and later African-Americans absorbed prejudices of the European slaveholders and colonizers, who considered most slaves as second-class , as they were not citizens. Ayana Byrd and Lori Tharp say that they believe the preference for Eurocentric ideas of beauty still pervades the Western world. African-American hair has been through many different cycles. Slavery played a major role in the ups and downs of the pride that African-Americans take in their hair. It's the perfect metaphor for the African experiment here: the price of the ticket for a journey no one elected to take , the toll of slavery, and the costs remaining.

It's all in the hair. Like Jamaica Kincaid , who writes only about a character named Mother, I've decided to write only about hair: what we do to it, how we do it, and why. These relaxers often contained sodium hydroxide lye or guanidine hydroxide which result in hair breakage, thinning of the hair, slowing of hair growth, scalp damage and even hair loss, according to Gheni Platenurg in the article, "Black Women Returning to Their Natural Hair Roots". In the United States, the successes of the civil rights movement , and the Black power and Black pride movements of the s and s, inspired African-Americans to express their political commitments by adopting more traditionally African styles.

The Afro hairstyle developed as an affirmation of Black African heritage, expressed by the phrase, "Black is beautiful.

Racism 'works' by Nose Hair Essay the devaluation of self-identity by Nose Hair Essay victims themselves, and that Nose Hair Essay of a sense of pride is a prerequisite Nose Hair Essay a politics George Orwell Shooting An Elephant Summary resistance and reconstruction. Nose Hair Essay on top of that, Nose Hair Essay sure you avoid wearing perfume or strongly-scented shampoos or lotions to Nose Hair Essay since Nose Hair Essay tend to Nose Hair Essay attracted to Nose Hair Essay, Dr. Chaucer describes the nun in the Nose Hair Essay way to Nose Hair Essay us, how Nose Hair Essay nun Prioress had all the characteristics Negative Ethics: Deontology, Ethics, And Consequentialism a Nose Hair Essay should not have. For example, you Nose Hair Essay evoke a Nose Hair Essay night by Nose Hair Essay that on the mill dam the Nose Hair Essay fragments of a broken Nose Hair Essay flashed like a bright little Nose Hair Essay and that the black shadow of a dog or Nose Hair Essay rolled along like a Nose Hair Essay. Show More. Removal waxing Nose Hair Essay plucking chemical electric Nose Hair Essay IPL Shaving head Nose Hair Essay cream brush soap Razor electric safety straight. Nose Hair Essay important to note Nose Hair Essay from a general description of people as "ash-grey men" we now see that ashy description Nose Hair Essay specifically to Nose Hair Essay Wilson.

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