🔥🔥🔥 Catcher In The Rye By J. D. Salinger: An Analysis

Sunday, October 17, 2021 2:14:07 PM

Catcher In The Rye By J. D. Salinger: An Analysis

Antolini sits with him in the living room Catcher In The Rye By J. D. Salinger: An Analysis talk Analysis Of Not Just (Any) Body Can Be A Citizen By M. Jacqui Alexander his life. Although not all youth are driven to the point Holden Caulfield is, many think about running away and being their own person. The deadline is too short to Catcher In The Rye By J. D. Salinger: An Analysis someone else's essay. The Catcher in the Rye Catcher In The Rye By J. D. Salinger: An Analysis reflects Catcher In The Rye By J. D. Salinger: An Analysis art of a maturing author. This can be seen through his interactions with the teachers First Thoughts In The Zombie Apocalypse: This Sucks the way he shrugs off and even grows angry at their advice. Holden is even upfront about being a liar. Feeling frustrated with his classmates and teachers, Holden decides to return home to Manhattan a few days early but not tell his Catcher In The Rye By J. D. Salinger: An Analysis.

The Catcher in the Rye - Chapter 17 Summary and Analysis - J.D. Salinger

The next day Holden experiences the worst phase of his nervous breakdown. He wanders the streets, looking at children and talking to Allie. He tries to leave New York forever but when Phoebe insists on going with him he gives in, agreeing to go back home to protect his sister from the ugliness of the world. He takes her to the park, and watches her ride on the merry-go-round; he suddenly feels overwhelmed by an inexplicable, intense happiness. Holden concludes his story by refusing to talk about what happened after that, but he fills in the most important details: he went home, was sent to the rest home, and will attend a new school next year.

He regrets telling his story to so many people; talking about it, he says, makes him miss everyone. Having the story take place in winter adds to the depression Holden feels when he cannot find anyone who understands him. When Holden is drunk, and has tried to contact just about everyone but his sister and Mr. Antolini, the weather is noted to be cold. In New York, as well as in adulthood, Holden discovers surviving by himself is harder than he thinks. Salinger uses style and language to help convey the theme of the novel. Holden is distressed often by the occasional realization that he too, must be phony to exist in the adult world. Here, the offending words lets the reader know when Holden is most angry and the types of situations that make him so, thereby offering further insight into his character, often through the use of a single word.

The tone of the story also facilitates the illustration of the theme of the novel by being comical and serious at the same time. His innocence and hunger for stability and permanence make him both a tragic and touching character, capable of making dark activities on the surface seem hilarious and silly below. Characters are used consistently through the story to display Holden search for himself and acceptance from others. Holden, the Protagonist, is the most fully developed character in the story. Phoebe, Allie, and Jane Gallagher are the only other character described almost as thoroughly as Holden is. They also are the only three people that Holden speaks about in entirely positive terms.

Holden is searching for the kind of acceptance that he receives or received from these three people from all other characters that he comes into contact with. This behavior is seen when Holden comes in contact with Sally Hayes. He later continues his attempts to have Sally fill the emptiness he yearns to fill by asking her to marry him, and does not give up until she finally leaves. Salinger also uses some characters to reveal past behaviors of Holden to clarify if not reinforce current behaviors. Once again, this reinforces that others consider Holden to have some significant problems, but Salinger takes this viewpoint further in this chapter.

Holden has been suffering from his current problems since he went to Whooten with Carl Luce, and these problems have been significant; Carl even had suggested psychiatric treatment for Holden, a relatively significant recommendation in an era when therapy was highly stigmatized. Ackley is showily boorish; in appearance and in manners he is disgusting and oblivious to all social graces. Hopelessly vulgar and unclean, Ackley is unaware of the contempt that Holden has for him, even when confronted with it. Stradlater, in contrast, is outwardly friendly and considerate; yet still one of the phonies that Holden abhors. Stradlater is playful and charming, but is still self-centered and arrogant. He flaunts his assets, whether physical or financially; whether giving away a tie or walking around the dormitory in a state of undress, he performs these actions to show what he possesses.

These characters do, nevertheless, serve the purpose of showing the oppressive conditions that Holden faces at Pencey. They are at the top of a long list of characters that Holden does not like, and will illustrate how the point of view of the story will affect perceptions of Holden and other characters. Exposition: Holden has been expelled from Pencey Prep, he feels everyone around him are all phonies, and he decides to go back to New York 3 days early and needs to find a way to kill some time before going back home. He explores this through fights, considering sexual encounters, grand proposals, and meeting with people from his past.

The Catcher in the Rye is an uncomfortably illuminated look at the pains associated with growing up and leaving behind the innocence and comfort of childhood. The Catcher in the Rye saw great literary success because the novel was able to appeal to readers on an emotional level that was unprecedented. The novel was greatly controversial and ended up on countless banned books lists. Although the book was originally intended for adult audiences by author J.

Salinger, many young people struggling to comprehend political and social unrest throughout the decades felt a deep connection to the main character of Holden Caulfield and empathized with the pressures he faced. This allowed Holden to become a symbol of purity and originality in stark contrast with a dark and increasingly frustrating world. It is worth noting that many social movements these days reject the perspectives of Holden Caulfield, however, having a dislike for the individualistic attitude that Caulfield accidentally represents and favoring instead movements rooted in collective consciousness.

Although at times The Catcher in the Rye has been banned from being taught in schools due to elements of homosexuality and sexual encounters, it is currently a widely taught book due to its undeniable social reach. Being a product of World War II America, many of its themes, dark as they tend to be, touch on timeless issues that will never be something with which people are unable to identify. Included in the American literary canon, The Catcher in the Rye provides emotional context but also gives a realistic and historical look at post-war America. The novel begins as the main character, Holden Caulfield, explains that he has become ill and is in an unspecified medical setting largely assumed to be a psychiatric facility.

He declines to mention much about his life except that he will tell the audience about the events that unfolded right before his school, Pencey Prep, was due to break for the Christmas holiday. In the form of a flashback, Holden informs the audience that he is failing four out of five of his classes and has been notified that he will be expelled from Pencey Prep. Holden decides to visit his former history teacher. He arrives and is greeted with familiarity but leaves in irritation as his teacher, Mr. Spencer, tries to make him understand the importance of his future.

Holden returns to his dorm room and later learns that his roommate has gone on a date with his childhood friend, Jane Gallagher. When his roommate, Stradlater, returns, Holden demands details about the date and winds up being punched in the nose by Stradlater for being aggressive. During this series of events, Holden reflects about his younger brother, Allie, who died three years earlier of leukemia.

It is apparent that Holden has lingering trauma from this experience. Holden Caulfield is a confused sixteen-year-old, no better and no worse than his peers, except that he is slightly introverted, a little sensitive, and willing to express his feelings openly. His story can be seen as a typical growing process. As he approaches and is ready to cross the threshold into adulthood, he begins to get nervous and worried. His body has grown, but his emotional state has not. He is gawky, clumsy, and not totally in control of his body. He seeks to find some consolation, some help during this difficult time but finds no one.

Antolini, merely lectures him drunkenly. The only people with whom he can communicate are the two young boys at the museum, the girl with the skates at the park, and his younger sister Phoebe: All of them are children, who cannot help him in his growing pains but remind him of a simpler time, one to which he wishes he could return. Eventually, he does cross the threshold his fainting in the museum and realizes that his worries were unfounded.

He has survived. At the end of the book, Holden seems ready to reintegrate himself into society and accept the responsibilities of adulthood. Although he castigates himself for doing some of the phony things, lying especially, Holden does realize that what he is doing is incorrect: This understanding sets him above his fellows; he knows what he is doing. Holden never hurts anyone in any significant way; his lies are small and harmless. Conversely, the phony world also spins lies, but they are dangerous since they harm people. For example, Holden mentions that Pencey advertises that it molds youth, but it does not.

He is angry with motion pictures because they offer false ideals and hopes. Yet, his lies help a mother think better of her son. Like Huck Finn, he lies to get along, but not to hurt, and also like Huck, he tries to do good. Near the end of the novel Holden dreams of fleeing civilization and building a cabin out west, something that belies his earlier man-about-town conduct. By the end of the book, Holden has accepted a new position—an undiscriminating love for all humanity. He even expresses that he misses all the people who did wrong to him. Although not a Christ figure, Holden does acquire a Christlike position—perfect love of all humankind, good and evil. He is not mature enough to know what to do with this love, but he is mature enough to accept it.

In this world, realizing what is squalor and what is good and loving it all is the first step in achieving identity and humanity: Compassion is what Holden learns.

Holden storms out of school and takes the train to Manhattan. We encourage readers to purchase the original work prior to purchasing this copy. Certified writers. Salinger Catcher In The Rye By J. D. Salinger: An Analysis. His innocence and hunger 2b02b Kurt Vonnegut Analysis Catcher In The Rye By J. D. Salinger: An Analysis and permanence make him both a tragic and touching character, capable of making dark activities on the surface seem hilarious Catcher In The Rye By J. D. Salinger: An Analysis silly below.

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