✍️✍️✍️ Winter Descriptive Writing

Tuesday, July 27, 2021 4:09:36 AM

Winter Descriptive Writing



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Because your nose is as red as Rudolph and your cheeks have taken the color of a rose. The air is frigid and nippy. Your fingers and toes feel numb and are beginning to ache. Your ears feel the prickling cold through a hat that is beginning to itch. You take one last deep breath and the bitter cold air enters your lungs. The watery smell of the snow fills your nose and now you must head home.

You watch it light up with orange flames. You listen to fire crackling and smell a sweet aroma of burning wood. You sit close to the fire and let it warm your hands. You feel a tingling feeling as the fire warms your body. You make yourself a hot chocolate and throw in some marshmallows. In your mug is melted cocoa with soft pillows floating in the chocolate. The chocolate smell fills your nose as you taste the mouthwatering beverage. You wrap yourself in a fuzzy fleece blanket.

Your body warms up and the feeling of coziness washes over you. Content and comfort fill your senses, leaving you in awe. As we humans face loss and grief on a daily basis, it's challenging to see the good in all the change. Here's a better perspective on how we can deal with this inevitable feeling and why it could help us grow. What a scary meaning for such a small word. Loss comes in all shapes and sizes. Just like us. Just like human beings. A loss sends us into a spiral. An uncontrollable, spirling feeling you feel coming up your throat. Oftentimes, when we experience loss, we beg for the "one mores".

One more hug, please. Can I have one more kiss? Just one more laugh we can share? We wish for these experiences to just happen once more as if that would ever be enough. The reality is that even if we were privileged with one more, we would want another. And another. We'd never be satisfied. We'd eventually just wish for eternity. Loss is necessary. Loss is natural. Loss is inevitable. Loss was never defined as easy. In fact, it has to be hard. It has to be hard for us to remember. To remember those warm embraces, to remember the feeling of their lips on yours, and to remember the smile on their face when you said something funny. But why are we so afraid of loss after all? We are so blessed to have experienced it to begin with. It means there was a presence of care.

That ache in our heart and the deep pit in our stomach means there was something there to fill those vacant voids. The empty spaces were just simply whole. We're all so afraid of change. Change in our love life or our families, change in our friendships and daily routines. One day we will remember that losing someone isn't about learning how to live without them, but to know their presence, and to carry what they left us behind.

For everything we've deeply loved, we cannot lose. They become a part of us. We adapt to the way they talk, we make them a part of our Instagram passwords, we remember when they told us to cook chicken for 20 minutes instead of We as humans are so lucky to meet so many people that will one day leave us. We are so lucky to have the ability and courage to suffer, to grieve, and to wish for a better ending.

For that only means, we were lucky enough to love. When Sony announced that Venom would be getting a stand-alone movie, outside of the Tom Holland MCU Spider-Man films, and intended to start its own separate shared universe of films, the reactions were generally not that kind. Even if Tom Hardy was going to take on the role, why would you take Venom, so intrinsically connected to Spider-Man's comic book roots, and remove all of that for cheap action spectacle? Needless to say I wound up hopping on the "lets bash 'Venom'" train. While I appreciated how much fun Tom Hardy was having and the visual approach to the symbiotes, I couldn't get behind the film's tone or story, both of which felt like relics of a bygone era of comic book storytelling that sacrificed actual pathos for that aforementioned cheap spectacle.

But apparently that critical consensus was in the minority because audiences ate the film up. On top of that, Ruben Fleischer would step out of the director's chair in place of Andy Serkis, the visual effects legend behind characters like 'The Lord of the Rings' Gollum and 'Planet of the Apes' Caesar, and a pretty decent director in his own right. Now with a year-long pandemic delay behind it, 'Venom: Let There Be Carnage' is finally here, did it change my jaded little mind about the character's big-screen worth? Surprisingly, it kind of did. I won't pretend that I loved it by any stretch, but while 'Let There Be Carnage' still features some of its predecessor's shortcomings, there's also a tightness, consistency and self-awareness that's more prevalent this time around; in other words, it's significantly more fun!

A year after the events of the first film, Eddie Brock played by Tom Hardy is struggling with sharing a body with the alien symbiote, Venom also voiced by Hardy. Things change when Eddie is contacted by Detective Pat Mulligan played by Stephen Graham , who says that the serial killer Cletus Kasady will talk only with Eddie regarding his string of murders. His interview with Kasady played by Woody Harrelson leads to Eddie uncovering the killer's victims and confirming Kasady's execution. During their final meeting, Kasady bites Eddie, imprinting part of Venom onto Kasady. When Kasady is executed, the new symbiote awakens, merging with Kasady into a bloody, far more violent incarnation known as Carnage.

It's up to Eddie and Venom to put aside their differences to stop Carnage's rampage, as well as Frances Barrison played by Naomi Harris , Kasady's longtime girlfriend whose sonic scream abilities pose a threat to both Venom and Carnage. So what made me completely switch gears this time around? There's a couple reasons, but first and foremost is the pacing. Serkis and screenwriter Kelly Marcel know exactly where to take the story and how to frame both Eddie and Venom's journeys against the looming threat of Carnage.

Even when the film is going for pure, outrageous humor, it never forgets the qualms between Eddie and Venom should be at the center beyond the obvious comic book-y exhibitions. If you were a fan of Eddie's anxious sense of loss, or the back-and-forth between he and the overly eccentric Venom, you are going to love this movie. Hardy has a great grasp on what buttons to push for both, especially Venom, who has to spend a chunk of the movie contending with losing Eddie altogether and find their own unique purpose among other things, what is essentially Venom's "coming out" moment that actually finds some weight in all the jokes.

Then there's Harrelson as Carnage and he absolutely delivers! Absolutely taking a few cues from Heath Ledger's Joker, Harrelson is leaning just enough into campy territory to be charismatic, but never letting us forget the absolutely shattered malicious mind controlling the spaghetti wrap of CGI. Serkis' directing itself deserves some praise too. I can't necessarily pinpoint his style, but like his approach on 'Mowgli,' he has a great eye for detail in both character aesthetics and worldbuilding. That goes from the symbiotes' movements and action bits to bigger things like lighting in a church sequence or just making San Francisco feel more alive in the process.

As far as downsides go, what you see is basically what you get. While I was certainly on that train more here, I also couldn't help but hope for more on the emotional side of things. Yes, seeing the two be vulnerable with one another is important to their arcs and the comedy infusions work more often than not, but it also presents a double-edged sword of that quick runtime, sacrificing time for smaller moments for bigger, more outrageous ones. In addition, while Hardy and Harrelson are electric together, I also found a lot of the supporting characters disappointing to a degree. Mulligan has a few neat moments, but not enough to go beyond the tough cop archetype. The only one who almost makes it work is Naomi Harris, who actually has great chemistry with Harrelson until the movie has to do something else with her.

It's those other characters that make the non-Venom, non-Carnage moments stall significantly and I wish there was more to them. When we are inside the house, we usually play sudoku, tic Tac toe, or video games like basketball, baseball and football. Winter can be an active season, but for my family and me, it is both an active season and a season to relax. I remembered last winter my cousins came to my house we enjoyed a lot, we did indoor activities and outdoor activities.

This makes me realize that winter could be enjoyed by playing outside or staying inside the house by relaxing with my family. I really enjoy winter every year because I get to eat different and amazing food, I get to stay home and relax and even because in winter I am always with my family. I wish I had a choice to make winter the season of the whole year. For reasons like getting to eat special food and enjoying indoors or outdoor activities, winter is my favorite season. Hi there, would you like to get such an essay? How about receiving a customized one? Check it out goo. Winter — My Favorite Season Essay. Choose Type of service Writing Rewriting Editing.

Standard Standard quality. Bachelor's or higher degree. Master's or higher degree. An old wooden table sits in the corner, along with matching chairs. Water drips out of the faucet in the corner. I open the a cabinet, but there are only more cobwebs. Anxious to get out of this place, I start to walk back to the door and exit, but stop dead in my track. It brings rest and darkness and cold and it can be filled with stronger emotions.

Night is when all our demons come out to play. I spent all of Friday, from day and light till night and darkness reading the novel Night By Elie Wiesel. Reading this book at night was a challenge, because sometimes it felt as if the room was full of ghosts, all peeking over my shoulder and reading along side me. Who knew going to the Lake of the Ozarks would be so much fun? Before I went to the Lake of the Ozarks I was bored to pieces at home. I was packing and just sitting around after that. I was watching tv and doing nothing.

It was horrible because I was so anxious to just leave and get there. The dish does not break by itself. In the story, the cat knocked it over. The cat could be a symbol for Mattie. I will quit because of the lack of supplies for soldiers at Camp Forge. Third, the cold weather has caused me to freeze and the smoky air has messed up my senses. According to Document C, the air inside the huts is very smoky, but cannot be let outside because of the lack of opening and the cold air. This means that soldiers are constantly breathing in smoky air, which is not good for their health. Luke feels left out and should have a choice to be a citizen and go outside no matter what the law says.

It is sad and lonly because Luke is forced to stay inside a black room with no windows or light. The darkness of his room explains the sad and scary tone. As he looks at her Parris could feel cold sweat go down his back and he then was back in front of his empty dark house. Normally there were candles lit in the windows and Abigail and Betty were sound asleep why Tituba was getting dinner ready for him but not tonight. Parris walk throughout the house calling their names but no answer, as he enters Betty room he saw through her window the forest. In the middle of the forest was an orange glow where gray smoke came from. He then runs outside into the forest, scared they were stolen by something dark! Edith Wharton uses symbolism to add to the story.

The cat symbolizes Zeena when she is not there. The cat is usually there to come between Ethan and Mattie just like Zeena does. It was now getting very late and going on midnight. Andrew turned off the lights in our room we hopped into our beds in the dark of room and the light coming from the flickering shots of lightning going through the sky. The rain was hitting the roof so hard i could not even hear myself breathing.

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